The platform is live in production
The studio and the API are deployed and serving on their own domains, behind real certificates, with the generation worker running against the production queue.
Real entries for work that actually landed. No roadmap items dressed up as releases.
The studio and the API are deployed and serving on their own domains, behind real certificates, with the generation worker running against the production queue.
Placing an actor into a location now re solves pose, stance, scale, grounding and lighting for that space instead of preserving a pose that belonged to a different photograph. Plates are composed at the aspect ratio they will actually be used at.
Each registered video format now carries its own directing documentation and can override its directing language independently, so tuning one format cannot change another.
Formats across UGC, ads, product, YouTube and documentary, each with genuinely different camera awareness, pacing and polish. Verified frame by frame that a documentary format actually keeps the subject from looking at the camera.
Scripts that run longer than a single provider clip are now split across shots automatically, with the remainder kept and offered as the next shot rather than silently cut off.
Vertical, landscape and square are chosen before generation and carried through composition, generation and render rather than cropped afterwards.
Every kind of generation reports into one job view with live status over a stream, rather than a separate status field per resource.
Actors gained versioned identity, appearance controls, natural language editing, expression references and automatic consistency review across views.